Many of you are probably tired of hearing about the general state of the world or at least the unpleasant parts that usually arise from some combination of ordinary stupidity and the pathologies of politicians. For a change of pace, and since its almost the end of the month, let's take a look at a few tidbits related to the celebration of
Halloween.

Pumpkin carving is a popular part of of the season. Come October, pumpkins can be found everywhere in the country from doorsteps to dinner tables. One of the market gardens located near Lumsden, Saskatchewan always has several hundred on hand at the end of the selling season which I've been told carries on right to the end of this month. The carving of "jack o'lanterns" is supposed to have originated with an Irishman by the name of Stingy Jack. I'll have to accept this on face value. According to the story, Stingy Jack invited the Devil to have a drink with him. True to his name, Stingy Jack didn't want to pay for his drink, so he convinced the Devil to turn himself into a coin that Jack could use to buy their drinks. Once the Devil did so, Jack decided to keep the money and put it into his pocket next to a silver cross, which prevented the Devil from changing back into his original form. Jack eventually freed the Devil, under the condition that he would not bother Jack for one year and that, should Jack die, he would not claim his soul. The next year, Jack again tricked the Devil into climbing into a tree to pick a

piece of fruit. While he was up in the tree, Jack carved a sign of the cross into the tree's bark so that the Devil could not come down until the Devil promised Jack not to bother him for ten more years. Eventually Jack shuffles off this mortal coil. As the legend goes, St. Peter would not allow such an unsavory figure into heaven. The Devil, upset by the trick Jack had played on him and keeping his word not to claim his soul, would not allow Jack into hell. He sent Jack off into the dark night with only a burning coal to light his way. Jack put the coal into a carved-out turnip and has been roaming the Earth with ever since. The Irish began to refer to this ghostly figure as "Jack of the Lantern," and then, simply "Jack O'Lantern." In Ireland and Scotland, people began to make their own versions of Jack's lanterns by carving scary faces into turnips or potatoes and placing them into windows or near doors to frighten away Stingy Jack and other wandering evil spirits. In England, large beets are used. Immigrants from these countries brought the tradition with them when they came to the United States. They soon found that pumpkins, a fruit native to America, make perfect jack o'lanterns. Although Halloween is associated with the Celts the celebration has spread to various parts of the western world including England where the event in it's North American variant has "sort of" dovetailed into the more traditional "bonfire" festivals at the beginning of November.
While we're in a festive mood here are some references to music which is associated with All Hallow's Eve. Camille Saint-Saën's "Danse Macabre" first performed in 1875 is based on a poem by Henri Cazsalis patterned on an old French superstition.
Zig, zig, zig, Death in a cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking,
The bones of the dancers are heard to crack—
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed.
Danse Macabre was also transcribed into a piano arrangement by Franz Liszt ( who greeted its composition "with enthusiasm") and later Vladimir Horowitz.
We can not forget the well known "Toccata and Fugue in D minor BWV 565" by Johann Sebastian Bach. This unusual composition is associated with the pipe organ in most minds although there is a very good chance it was based on a piece for solo violin.
Check my posting from last May on the history of this Toccata . This word whose root comes from the Italian "toccare" meaning "to touch" referred in practice to demonstrative 'virtuoso' pieces first popular in the Renaissance and Baroque periods (Bach was very much influenced by Italians such as Antonio Vivaldi). Bach and other composers like Handel were notable for their transcriptions from one instrument to another. Below is a performance of the toccata. Musicians may note that the organ is a low wind pressure tracker (mechanical action) type. The recording was made in the Hague and the organist is Aarnoud de Groen. The sound quality is not the very best ( many YouTube clips seem to suffer from this problem) but the overall effect is still fairly "spooky".
Also check Eugene's post on the "Witches of Edmonton" and other literary jewels